Fall Clothing Pickups (Common Projects, AllSaints)

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Despite the fact we’ll breaking high temperature records here in Atlanta tomorrow, Fall weather is right around the corner. That’s right - soon enough it will be cold enough to bring out the sweaters, flannels, and boots without the potential for a heatstroke. Having this in mind, as I often do, I recently decided to make some Fall clothing purchases. Spooky ones, at that. Let’s take a look.

The first item I decided to purchase recently was a pair of shoes I’ve been eyeing for a long time. Adding to my Common Projects collection is the Achilles Low in black and white. I’ll be able to dress this pair up or down, and I’ll be able to wear them year round. They’re so shiny they’ve even already been conversation starters.

The next two items I purchased were from AllSaints. That 15% off student discount just had to be taken advantage of. With Halloween on the mind, I went for two seasonally themed pieces. The sweater, with red and black stripes, is incredibly soft and gives off serious Freddy Krueger vibes. The T-shirt caught my attention because of its clever design, reading both “Hallucinations” and “AllSaints” simultaneously. Two pieces from one of my favorite brands that will get a lot of wear.

Thanks for checking out some of my Fall clothing pickups. If you want to see more of this sort of thing, you check out my Instagram here. What are you wearing this Fall?

Album Review: Self-Titled - The Highwomen

Made up by four of the most successful and influential female country blues artists currently in their genre, The Highwomen have released their debut self-titled album which lived up to my highest expectations. Though it may be bold to use a name playfully making reference to one of the most powerful collaborative groups of all time, The Highway Men, this project earned its place and my respect because of its outstanding vocal performances, poetic song writing, and stellar production.

I should give a disclaimer before you go listen to this project: It’s very heartfelt. You just might cry listening to it, and that’s okay. I wrote earlier this year about my widening taste in music, and this album checks all of those boxes. Not every track tugs at the heart strings, such as “Redesigning Women” and “If She Ever Leaves Me”, which make powerful statements put do so lightly and sometimes comedically. That being said, the emotional moments on this album are absolutely chilling and haunting. “My Only Child” is one of the most beautiful depictions of a parent’s love for a child I’ve ever heard, and “Cocktail And A Song” is an incredibly bittersweet story of dealing with loss. Grab a tissue box for this album - you’re going to need it.

While the songwriting is strong on this project, I don’t think it would’ve been as successful as it is if you were to insert any other country artists instead of the four Highwomen. Every member has something significant and unique to offer, such as Brandi Carlile’s spectacular and easily-recognizable vibrato, or Amanda Shires’ mature sound throughout the project. Each member compliments the others, and the harmonies are wonderful on nearly every track. The songs chosen to cover fit the album thematically and sonically, and the album is better off with them.

I’m thoroughly impressed by the newest country supergroup, and am excited to see what The Highwomen have in store in the future. I never thought I’d be listening to country music and enjoying it, but here we are. Don’t worry, though, I’m still listening to rap, rock, and all of the usual genres. Go check out this project and let me know if it brings a tear to your eye!

Favorite Tracks: “Redesigning Women”, “Loose Change”, “Crowded Table”, “Old Soul”, “My Only Child”, “Wheels of Laredo”

SCORE: 9/10

Why I, A Non-Musician, Wrote An Album

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I like to push myself creatively.

Over the years, I’ve taken lessons in a variety of instruments including guitar, piano, and getting so good at Guitar Hero that I was winning city-wide tournaments at 10 years old. None of those really stuck (except for some reason I can still shred some Guitar Hero), but I still think of consuming and listening to music carefully and critically as a beloved hobby of mine. Recently, I’ve been infatuated with artists who are willing to open up and share stories of their personal struggles, which is different from the version of me who used to avoid that kind of soul-searching and sharing. I’ve been so interested in it, in fact, that I decided to go about some of it myself.

I wanted to write about something both relatable and true to me. As someone who suffers from sometimes severe anxiety, I decided that the collections of “songs” I was to put together would tell the story, from beginning to end, of when I have an anxiety attack. These attacks give me tunnel vision, like a vignette on a picture, but nothing is clear as everything is shaky and chaotic. The title of my album would be called A Vignette Swarming, which is an artistic description of one of my anxiety attacks.

I wrote song titles that allowed me to put my undeveloped songwriting skills to the test, such as the opening track that sets the stage “Storm’s Rolling In”, the revealing and admittedly depressing “Hitchhiker’s Thumb”, the sentimental “Keep The Good Ones Close”, and the happy ending “Not A Cloud In The Sky”. At 13 tracks in total, I was comfortable with the length of this project. I’m very familiar with basic song structure because I listen to so much music, so the only difficult part was artistically conveying the lyrics and ideas that I wanted to get across. I worked on this project on my phone from time to time, until eventually I had complete lyrics and a developed tune for every “song” on the project.

That’s where I am now. I have a fully written “album” of 13 tracks packed full of personal, introspective, and revealing lyrics and accompanying mental tunes. I also don’t have much knowledge as to how to put together a nice-sounding song, and certainly don’t have the singing voice I’d love to have, but maybe that will come one day (the instrumental part - certainly not the singing barring a miracle.)

This little project perhaps is not complete, but has been a very relaxing and transformative hobby for a couple of months. I encourage everyone to push themselves creatively, to make something out of nothing, and to tackle the biggest battles you fight every day head on, embracing them for what they are and making something beautiful out of them. Not every beast has to be defeated (some are perpetual, and that’s okay), but they should all help you grow in one way or another.

Maybe one day I’ll be sharing with you a Spotify link to a fully mixed and mastered project of mine… who knows. Maybe I will adapt these “songs” into short stories, I’m not sure. But I’m happy with where it is now, and I just wanted to share. Thanks for reading.

Album Review: Charli - Charli XCX

2019 continues to prove itself as the year of the successful female pop star. We’ve already been offered stellar albums from Billie Eilish, Ariana Grande, and Lana Del Rey this year, and to keep that trend continuing, Charli XCX has provided another wonderful project in her album Charli. Utilizing the available design of the pop genre that has become so squeaky clean and radio-friendly, Charli XCX introduces her newly refined and experimental sound that differentiates this album and puts it above a lot of the pop music being released lately.

The record’s opening track “Next Level Charli” is aptly named as it sets the stage for the rest of the tracks yet to come. Listening to this album feels like peeking around the corner and getting a sample of what pop music will sound like in the year 2099. Charli XCX has clearly gained notoriety from her previous works, as the tracklisting features many recognizable names such as Troye Sivan, Haim, Lizzo, and many others, whose presence on this project doesn’t seem like a stream grab or last ditch attempt to save a project. This project doesn’t need saving - its production is next level, its tunes are catchy, and its experimentation is next level.

Some of the deep cuts on this project are what make it so enjoyable for me. The otherworldly and somewhat abrasive ending to “Click”, the dizzying effects paired with standout features on “I Shake It”, and the somewhat robotic vocals found throughout (“Official”, for example) this project are incredibly refreshing. The hits of this project such as “1999” and “Blame It On Your Love (feat. Lizzo)” make it good, but the experimentation makes it great.

Some of the tracks don’t really have an effect on me. That isn’t to say they’re objectively bad, but just lacking in one way or another. “Warm”, for example, seems strangely safe for a project that is taking so many creative risks. Little tweaks here and there could’ve made this project even better, but I’m certainly not disappointed in what this album has to offer.

If you’re a fan of pop music and enjoy experimental music, this is the project for you. Charli XCX delivers pop bops and toys with the genre in a way that makes me excited to be alive to watch pop music take the next step toward the future. Great stuff.

Favorite Tracks: “Next Level Charli”, “1999”, “Official”

SCORE: 9/10

A New (To Me) Way To Listen To Music

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We’re fully immersed in a new era of music that is most easily defined by one thing: digital streaming. Music services such as Spotify, Apple Music, and others make it easy for artists to spread their projects to the masses, and for listeners to easily access the latest, hottest bops. One underrated component of streaming services that I hadn’t taken advantage of until recently is the playlist. Being able to group similar tracks together to create a coherent mood and sound has always been nice, but recently I’ve been doing something new: creating “Best of…” playlists for each of my favorite artists in which I put all of my favorite songs of theirs.

No more skipping. No more “Ugh, not this one!” Every single song that I include in a particular artist’s “Best of…” playlist is a song that I’m entirely willing and excited to listen to every single time. I’m able to throw these playlists on shuffle and not worry about dealing with what’s playing for as long as I’ll listen. This is revolutionizing the way I listen to music. Not really, but it’s cool.

I’m sure that you’ve known about and done this for a long time. There are probably lots of downsides to how I do things, too, for example not being exposed to new music and not being able to broaden my horizons by revisiting tracks I once deemed unworthy. I don’t mind it - it’s working for me for now and I figured I’d let you in on it in case this new strategy appeals to you, too.

You can check out my Spotify profile here which features all of my “Best of…” playlists, which so far include the likes of BROCKHAMPTON, Father John Misty, Fleetwood Mac, and many more. Thanks for reading - now go listen!