Opinion: Why Bernie Sanders Should Be The Democratic Nominee For President

Blog - Bernie.JPG

It’s common knowledge that the modern political era in the U.S. is extremely divisive. At the same time, however, there seems to be a shift in the way that people of all walks of life view their own political involvement, as increased awareness has led to more substantive discussions of differences in policy and worldview. In what can sometimes feel like a toxic environment, I find it important to take a bird’s eye view and analyze the issues affecting the most Americans, regardless of political party or defining characteristics, and to try to come to a common understanding across party lines. After spending months becoming more politically educated and involved, I believe I’ve begun to understand what has been happening to our country’s politics over the past few years, and why it’s my opinion that Bernie Sanders should be the Democratic nominee for President.

When Donald Trump became the Republican nominee for President in 2016, he did so by presenting himself as a political outsider. Those who felt disenfranchised and left behind by the political landscape at that time saw Trump as someone who, at the very least, seemed to relate to their struggles and presented himself as different from the norm. Whether or not any of that was true or came to fruition is up for debate, but the root cause being millions of people feeling left behind and susceptible to his political rhetoric is undeniable fact. For decades, conventional and calculated candidates gave stump speeches and played into an established political norm, which many disregarded. The reality now is that people are starting to realize they do have a political voice, they can create a movement, and they can take their country in a different direction that benefits them and their families. We are in an era of populism which is uprooting the decades of elitism which came before it.

Candidates who speak directly to their bases needs and desires are the ones who gain momentum and popularity. Since FDR’s presidency decades ago we’ve seen glimmers of populist rhetoric from various presidents, but no systemic change in favor of the everyday working American. However, some of the country’s most important and necessary steps forward, such as the civil rights movement and the feminist movement, were built upon progressive populist movements which were met by establishment resistance. Bernie Sanders has built a giant grassroots movement made up of small contributions from millions of working people on the promise that he will give them things they need, such as universal healthcare, student and medical debt forgiveness, a living minimum wage, and many other beneficial policy proposals. Sanders and Trump even share some policy viewpoints, particularly on trade. Bernie has won the first three Democratic primaries and caucuses, which could be the start of a primary landslide. Now is a time to encourage as much political participation as possible.

This country is truly at a crossroads in the 2020 election. While I have somewhat established political ideologies and viewpoints, I respect others’ perspectives as long as they are well-thought out and as long as they aren’t presented with animosity. It should be okay to believe in something different than someone else and to still get along with them. Appealing to the needs of as many Americans as possible is key in the upcoming election, not bending to the will of donors or political pressure. That is why I think Bernie Sanders should face off against Donald Trump in the general election this year, and the will of the people will decide which direction we take our country moving forward. Thanks for reading.

Here’s a link to register to vote: https://www.usa.gov/register-to-vote

Album Review: The Slow Rush - Tame Impala

Blog - TSR.JPG

Musical genius, admitted perfectionist, and one-man band frontman Kevin Parker has returned with the release of the long-awaited album The Slow Rush. The five years in-between the critically acclaimed Currents and his most recent offering allowed Parker to let the running theme of time develop in his mind, evolving this album into a concept record with a unique and larger-than-life sound. It was well-worth the wait to say the least.

Tame Impala is special because everything it has to offer is authentic and creative. The signature sound is recognizable on every track, and yet Parker finds a way time and time again to prevent his projects from becoming stale or predictable. The singles released leading up to this record seemed immediately familiar, and fit seamlessly into the band’s discography. Sonically, this album continues to be experimental and inventive, adding to the band’s tradition of offering a new approach to music-making.

The themes and subject matter discussed on The Slow Rush are as deep and as substantive as ever before on a Tame Impala record. Everything from self-doubt, the passage of time, and healing damaged relationships are discussed here, but not so forwardly that this project ever garners a somber tone. Even some of the most cutting lyrics are delivered with an upbeat tone, a juxtaposition which is rare. Opening with “One More Year” and ending with the spectacular “One More Hour” are bookends to a project which discusses man’s relation with time, a very interesting subject not often discussed in this medium.

Almost every track on this album has something to offer. While I found the transitions between tracks to be slightly awkward at times, this album generally flows seamlessly from beginning to end. I went into this album with high expectations, and luckily those expectations were met and then some. Kevin Parker just can’t miss. As someone who is very familiar with the creative process and who has a knack for perfectionism at times, I appreciate the effort and attention to detail Parker puts into every Tame Impala track. This is a solid listen. Can’t wait to go to this concert.

Best tracks: “One More Year”, “Borderline”, “Posthumous Forgiveness”, “Breathe Deeper”, “Lost In Yesterday”, “Is It True”, “One More Hour”

Score: 7/10

Award Season Recap: Absolute Dominance

Blog - Award Season.JPG

The 2020 Grammys and Academy Awards have come and passed after months of speculation and predictions. These awards are increasingly becoming less popular, as television ratings have been consistently decreasing for them over the past few years, but they are still interesting to analyze, especially in such a unique year. In both ceremonies this year there were many records broken, and there was absolute dominance which I was happy to see. Let’s break it down.

Billie Eilish has taken the pop music genre by storm over the past year and a half, accumulating a loyal fanbase after the release of her 2019 debut album WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?. Her competition going into the Grammys was stiff this year, facing off against celebrated artists such as Ariana Grande and Lizzo among many others. Despite this, Billie Eilish and her producer brother Finneas walked away from the ceremony with a combined total of 10 Grammys, an absolutely astonishing feat for such a young artist. I was very happy that Billie did as well as she did after enjoying her debut album as much as I did and still do to this day. I was also delighted that Tyler, The Creator won in the Best Rap Album category for IGOR, but I agree with his sentiment that he should be included in the pop category instead of being pigeonholed into a less competitive field.

I was very pleased with the results of the 2020 Academy Awards as well, as a lot of my predictions came true. Bong Joon-ho and Parasite altogether were absolutely dominant, winning Best Picture, Directing, Editing, and Original Screenplay. By winning the biggest award of the night, Parasite became the first foreign film to ever win Best Picture at the Oscars, which it absolutely deserved. Most of the other awards went my way, too, with the films I enjoyed most beating their competition in their respective categories.

I don’t let what I enjoy rely and depend on what wins at award shows. This year, however, I thoroughly enjoyed watching the music and cinema I enjoyed so much in the past year receive the praise it deserved in such an incredibly dominant fashion. Here’s hoping that 2020 brings just as much enjoyable media as 2019 did.

Ranking The 2020 Oscars Best Picture Nominees

Blog - Best Picture.jpg

I can only hope for an Academy Awards ceremony half as entertaining as Sunday’s amazing Super Bowl. As the wait for this year’s Oscars comes to an end, the hype is higher now than ever. I’ve already predicted who I believe will win in each major category, but in today’s post, I will be ranking 2020’s Best Picture nominees now that I’ve seen them all. These rankings are based on how much I personally enjoyed each movie, respectively. Let’s dive in.

9. Ford V. Ferrari, (6/10) - This is the only offering on the list which I’m not sure as to why it was nominated for Best Picture. That isn’t to say that this is a bad film, because it isn’t. Instead, this just felt like a blockbuster with very little to offer other than entertaining racing scenes and decent performances. To me, a Best Picture nominee needs to offer more than this movie did, and because of that, it’s last in my rankings.

8. Jojo Rabbit, (7/10) - Many have put Jojo Rabbit toward the top of their lists. While I generally enjoyed this movie, its pacing and tonal issues toward the second half really removed me from a story I was interested and emotionally invested in up until that point. Minor story revisions could’ve easily improved this film for me, and I’m disappointed that I didn’t enjoy it more. So much potential. Full review here.

7. Little Women, (7/10) - Greta Gerwig’s adaptation of Louisa May Alcott’s “Little Women” was my first exposure to the story, as I haven’t yet read the source material or seen the previous film adaptations. I enjoyed this film from beginning to end, but because of the nature of this specific adaptation, I was lead to believe that having at least a basic understanding of the story’s arc and timeline is necessary to appreciation the 2019 version the way it’s told. Still a good movie with stellar performances, particularly from Florence Pugh and Saoirse Ronan.

6. Once Upon A Time In… Hollywood, (7/10) - My second viewing of this film didn’t change my opinion of it much. I still generally enjoyed the story and performances here, and respect the fact that it’s Tarantino’s love-letter to Hollywood, but feel like a given viewer needs a personal connection to Los Angeles to fully appreciate this film. I don’t have one, and because of that, there’s something missing here. Still a good movie. Full review here.

5. The Irishman, (8/10) - Martin Scorsese’s epic directorial offering which is an adaptation of “I Heard You Paint Houses” checked nearly all the boxes for me. While it does have a remarkably lengthy runtime, its story is still captivating and eventually heartbreaking. The different take on the traditional gangster movie is fresh, original, and compelling. Great performances from an A-list ensemble cast.

4. Joker, (9/10) - Joaquin Phoenix winning Best Actor is a given this year, and it will be well-deserved. His performance of this film’s title character is haunting and adds a dimension to this story that only Phoenix could deliver. Everything from this film’s messaging to its score is incredibly well thought-out, and as a fan of comics, I loved this movie. Full review here.

3. Marriage Story, (9/10) - If the Academy offered a “Best Scene” award, that scene from this movie would definitely win this year. Two career performances from Scarlet Johansson and Adam Driver propel Noah Baumbach’s stellar screenplay in a compelling, heart-wrenching story full of ups and downs. I’ve watched this film three times and still enjoy every second of it.

Tied for 1. Parasite & 1917, (10/10 & 10/10) - When I originally reviewed Bong Joon-ho’s Parasite, I scored it a 9/10 and docked it a point due to what, at the time, I considered a pacing issue toward the middle of the movie. After careful thought and consideration, I realize that what I considered a flaw with this movie was actually necessary for the rest of its plot to function as beautifully as it does. Because of this, I now have no gripes with this movie, and am giving it a perfect score. This really is a masterpiece. The depth of the characters, the richness of the symbolism throughout, and the social commentary offered here are unparalleled, and this is a must-see for any film lover. I reviewed 1917 as soon as I got home from the theater, knowing full-well that this was a perfect film in my eyes. Not only a technical achievement, this film shines a light on the horrors of war and tells a compelling, intense story driven by amazing performances. If either one of these films wins Best Picture on Oscar night, I will be extremely pleased. Parasite review here, 1917 review here.

And there we have it, the nine Best Picture nominees ranked for the 2020 Oscars. I sound like a broken record at this point, but 2019 really was a spectacular year for film that will be remembered for years to come. It’s a shame that Portrait of a Lady on Fire (review here) wasn’t nominated, as it is another 10/10 for me, but I will be happy with either Parasite or 1917 winning the big award on February 9th. How would you rank the Best Picture nominees? Let me know! Thanks for reading.

NFL Super Bowl LIV Predictions

Blog - Super Bowl.JPG

The 2020 NFL Playoffs have been a long, wild ride. They will culminate and come to an end this Sunday as the San Francisco 49ers will face the Kansas City Chiefs in Miami for Super Bowl LIV. Both teams have proven their worth winning difficult playoff match-ups, but who will be able to claim the Lombardi Trophy as their own for the NFL’s 100th season? In this post, I’ll be making some predictions about the big game. Let’s get into it.

Patrick Mahomes was heartbroken after watching Tom Brady march down the field and into the Super Bowl in last year’s AFC Conference Championship. MVP Mahomes didn’t get to touch the ball in overtime, and subsequently, didn’t get the chance to take his team to the ultimate stage. This year, he and his talented roster of teammates took care of business at home against Houston and Tennessee, stamping their ticket to Super Bowl LIV against the San Francisco 49ers.

The 49ers have been rolling this year. New England either has an eye for undeveloped young talent, or sitting on the bench watching the greatest quarterback of all time truly impacts your game, because Jimmy Garoppolo is looking more and more like a franchise QB. The 49ers made the playoffs look easy, beating the Vikings and Packers with ease. I would argue, however, that the Chiefs are stiffer competition than either of these teams.

Joe Montana will be happy with the outcome of the big game regardless of the winner, and so will I. I’m also hoping the half-time show and commercials are on point this year. Either former Bear Robbie Gould gets a ring, or Mahomes and the Chiefs begin what could be the next dynasty. I see the Chiefs winning this one in a close game, becoming Super Bowl champs, with Mahomes winning game MVP. We shall see. What do you think will happen?