Let's Talk About... Trumpism

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The shock had nearly worn off by inauguration day. As much as I would like to say I handled the 2016 election maturely, I’ll admit that instead of continuing to fight the good fight by advocating for my progressive policy prescriptions, I instead became politically distant. In my defense, I was still in high school, and my knowledge base wasn’t as deep then as it is now about these matters. At the same time, though, I was able to recognize the sheer absurdity of the situation, as we had just decided to elect a reality TV star as the next president. I hoped that all of the fears I had about his potential presidency would be proven wrong, and that we would do more than just survive as a country through his term. But even that may be too much to ask for at this point.

I was sitting in science class and since inaugurations are a big deal, my teacher was playing the event on the projector for the classroom. Attending the mostly conservative high school I did meant there were many of his supporters in the room with me, who instead of being terrified of what was happening, felt empowered and proud of the man filling the most prestigious office in the world. They were so entitled, in fact, that they reprimanded and judged me for not joining them in celebrating, calling me unamerican and Marxist (as if they knew what that meant). And before you think you know where this is going, I couldn’t care less what his supporters say or think about me. My feelings aren’t hurt. I don’t feel threatened or invalidated. Instead, I just recognize the hypocrisy of these pseudoconservative, pseudochristian supporters who were so vitriolic toward someone they disagreed with.

They must just feel emboldened by victory, I thought. But the more I pondered, the more confused I was by the actions and behaviors of those who should finally feel relief and joy after “suffering” through eight years of a president whose policies they didn’t agree with. That wasn’t the case. Instead of feeling the same relief that I will feel when the current president leaves office, hopefully in three months, his supporters were just as angry after he won in 2016, which was a sign of things to come that I wasn’t aware of yet. The 2016 election shined a light on the deplorable underbelly of America’s foundational inequities, prejudices, and stupidities. In response to the landmark elections of 2008 and 2012, the quietly racist and bigoted conservative electorate in this country sloppily tugged the pendulum back in their direction, and an unnamed movement could finally be identified — Trumpism was born.

We don’t need to get into the specifics of the 2016 election in this post, but put simply, there were many systemic factors and outside curveballs which handed Trump an election which he never should have won. Foreign interference, domestic voter suppression, an outdated electoral college system, and awful media coverage all played into what happened, just to name a few elements. But what this election revealed and created is ugly. Rightwing social media echo chambers, “alternative facts”, a denial of science, and a lack of critical thinking became more prominent than ever before. The first three years weren’t great (kids in cages, withdrawing from the Paris Climate Accord, mocking disabled reporters, etc.), but this year, every nightmare which Never-Trumpers had in 2016 has become a waking reality.

In the midst of a mishandled global pandemic which has led to more than 150,000 American deaths, the biggest civil rights movement in recent memory, and leading up to a pivotal election, Donald Trump is consistently wrong, uninformed, and behaving dangerously, but for some reason, his supporters just don’t seem to see it. It wasn’t clear for them when Trump claimed the coronavirus would “disappear” when we had 15 cases, and now we have more than 4,000,000. It wasn’t clear after the racial unrest in Charlottesville, Virginia when Donald Trump referred to self-identified white supremacists as “Very fine people (on both sides)”. It’s not enough now when there are paramilitary troops being sent to patrol cities or as Trump suggests we delay the November election in authoritarian fashion. Instead of recognizing the insanity of any of these examples, just to name a few, Trumpist supporters of his call progressives snowflakes, claim we have Trump derangement syndrome, attack academia for supposedly brainwashing those who seek higher education, and continue to just ride high on the entitlement and emboldening that the 2016 election granted them. I hope the polling we are seeing now is accurate, and that there is a blue tsunami come November. We must get out and vote, and we must remove this existential threat from office. His supporters are too far gone to reform their thinking, so we must let them go ignored as we seek progress, equality, and opportunity for our nation.

I’m done pretending that it’s just a difference of opinion anymore. The reality is that I have empathy, intelligence, and common sense, and I’m not going to force neutrality any longer. Black Lives Matter. We need to listen to the science and wear the masks. We need to seek equality of opportunity for all. There’s no way in hell I’m going to let the current president, his supporters, or Trumpism as a movement get in the way of that.

Thanks for reading.

Register to vote: https://vote.gov/

2020 Presidential Election Map Prediction As Of August

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One month ago today, I made my first presidential election map prediction post on this blog. Since then, quite a bit has happened politically, but very little has change in terms of state predictions. The coronavirus pandemic continues to worsen, the projected GDP Q2 numbers are abysmal, and the president continues to insight division by sending paramilitary troops to cities under the guise of protection, while also hinting that he wants to delay November’s election, which would undermine democracy as we know it. Despite a continuing popular vote lead for former VP Joe Biden, the electoral system in this country has led me to believe that now, despite great national numbers for Biden, the final electoral score will be slightly closer than I predicted in July. Let’s take a look.

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For the most part, the states which I categorized as safe for both parties last month have stayed the same. The polling averages in these states are consistent and match historical trends, leading me to believe that these states shouldn’t be surprising come election night. My classifications are as follows: HI (D), WA (D), OR (D), CA (D), IL (D), NY (D), VT (D), MA (D), RI (D), CT (D), NJ (D), DE (D), MD (D), DC (D), ID (R), WY (R), ND (R), SD (R), NE (R), OK (R), AR (R), LA (R), MS (R), AL (R), TN (R), KY (R), and WV (R). If any of these states are within five percentage points on election night, I will be surprised, and the election will likely trend toward whichever candidate is benefitting from such a hypothetical election miracle.

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There is compelling polling data which makes me think that states I classified as safe Republican last month have shifted toward Joe Biden, and now can only be classified as likely. Alaska, for example, which for decades has been a conservative stronghold, is closer than expected as of today. The same is true of Indiana and South Carolina. On the other end of the spectrum, I’ve moved Minnesota into the likely column for the Democratic Party. My classifications are as follows for likely states: CO (D), NM (D), MN (D), VA (D), ME (D), AK (R), MT (R), UT (R), KS (R), MO (R), IN (R), and SC (R).

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The lean categorizations are always fun. I’m fairly confident in these predictions as of right now, but if they were to flip on election night, I wouldn’t be shocked. Biden needs to hold onto Pennsylvania and Michigan to maintain his confidence in winning the presidency. As polling has shown so far, he should feel good about his chances. I’ve classified the lean states as: NV (D), MI (D), PA (D), NH (D), TX (R), and IA (R).

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And now, last but certainly not least, it’s time to predict the tilt states, which I consider the true toss-ups going into the election. I think states like Wisconsin, Florida, and Arizona will be closer when it’s game time than they are now. I also think my state of Georgia will be extremely close, and because of that, I will be encouraging as many people as I can to get out and vote. Overall, I think these states will split electorally between the two candidates, but anything can happen with three months until the election. I classify the tilt states as: AZ (D), WI (D), FL (D), OH (R), NC (R), and GA (R).

As we know by now, politics, polls, and perceptions can change very quickly. With three months until Election Day, there is still a lot of time for the entire landscape to shift in either direction. But given the state of affairs in the country, and pending the reception to Joe Biden’s upcoming running mate selection, these are my predictions as of August. I have Joe Biden winning with 319 electoral votes to Trump’s 219. If the election were held today, who do you think would win the presidency? Let me know. Thanks for reading.

Album Review: folklore - Taylor Swift

Album Review: folklore - Taylor Swift

It’s hard to pinpoint exactly when Taylor Swift’s career “started”. Even upon the release of her self-titled debut album in 2006, Swift had established a fanbase and following which led that project to top the Billboard Top Country Albums Chart for over six months. Swift has never feared evolving, as each of her subsequent releases pleased fans while also experimenting with different genres and sounds. After the release of her critically-acclaimed album Lover in 2019, I expected Taylor Swift to continue her successes in the radio-friendly pop variety, emulating and releasing more songs like “ME!” and “You Need To Calm Down”. The title track from that project, “Lover”, went slightly against the grain in that regard, providing more of a ballad with a focus on songwriting and lyricism than pop appeal, which I suppose now was a sign of things to come. It was to my surprise when Swift announced on Instagram yesterday that she would be releasing her eighth studio album folklore at midnight. The title and aesthetic of the album’s rollout intrigued me, as it seemingly hinted at an indie folk sound which Swift hasn’t yet explored in her discography. On my first listen, I knew this project was different than anything she had released yet, and that Taylor Swift’s maturation as a singer-songwriter was clear. This is a great project.

The opening track, “the 1”, continues Swift’s themes of could-have-been relationships and regrets, but in a reinvented style, with a focus on creative writing and storytelling. The opening lines “I’m doing good, I’m on some new shit” are an immediate indication that Swift fully recognizes and is embracing her reinvented image and sound, which is more revealing and personal than usual for her. The sentimentality of this track foreshadows the downtrodden and sometimes eery mood this project creates and gets things off to a mellow but strong start. “cardigan”, the album’s second song, wears its Lana Del Rey influence clearly and confidently on its sleeve, especially with lines like “To kiss in cars and downtown bars / Was all we needed”. I can see this being a huge radio-hit, and one I wouldn’t mind having on repeat, as it sounds like it could’ve easily fit into Del Rey’s Norman Fucking Rockwell! The next track, “the last great american dynasty”, tells the story of Rebekah Harkness in Swift’s usual contemporary style with a slight folk influence. I hear Phoebe Bridgers’ influence on this track, but that may just be because I’m still frequently listening to Punisher. The album’s first three tracks are strong, and luckily this hour-long record has few low points.

“exile (feat. Bon Iver)” pairs Justin Vernon and Taylor Swift together to create haunting harmonies in what feels like a fairly traditional breakup song. “my tears ricochet” is an interesting narrative, but the slow tempo seems to stretch this project’s runtime a bit unnecessarily. I wish this song had been workshopped a little bit more. I feel similarly about the next track “mirrorball”, which utilizes the interesting concept of likening herself to a disco ball, but in a somewhat forgettable manner. “seven” is a strong recovery, reintroducing a more uptempo folk sound which contemplates childhood and all of its difficulties and simplicities. “august” is a standout on this project for me, as this Jack Antonoff co-produced track tells a story of young summer romance. This tracks just completely captures the essence of a sun-soaked and youthful summer, including its highs and lows. “this is me trying” is another simplistic track which feels like a response to those who claim Swift tends to displace blame and responsibilities on others, finally looking inward and accepting that she is trying to be a better person and partner, too. This ambient track features one of my favorite lines on the album, which is “They told me all of my cages were mental / So I got wasted like all my potential”, which is just remarkably potent.

The following “illicit affairs” is one of the most well-written songs here, a track about infidelity enraptured in fluttering acoustic guitar accompaniments. Tracks like these impress me, as it becomes clear Swift is writing music she wants to write and flexing her songwriting abilities more so than on other projects. “invisible strings” is another highlight here, featuring the interesting concept of inherent ties between people. The plucky acoustic guitar pairs nicely to Swift’s wide-ranging vocal performance on this track. “mad woman” feels like it bites off more than it can chew, as the attempted narrative doesn’t seem to land for me. This is a track which I find could actually benefit from another minute or two of fleshed-out storytelling.

“epiphany” is different than any track Swift has released in her discography to my knowledge. As this project was written and recorded in the midst of the coronavirus pandemic, this song takes on a gravity and heaviness, especially in its second verse. By juxtaposing and comparing military soldiers and medical workers, Swift commends the bravery required by both to do their valiant jobs well. “Betty” is one of the most traditional folk songs on this album, using harmonica and descending guitars to complete the “cardigan” / “august” / “betty” narrative this album creates, which ends up utilizing a strong feminist outlook and conclusion. “peace” is an introspective contemplation on growing older, continuing this album’s tendency to choose narrative over radio-appeal. “hoax” is a somewhat depressing closing track, but that isn’t to say it isn’t impressive lyrically and sonically, as Swift reflects on the toxicity of a relationship she can’t bring herself to leave, with lines like “Don’t want no other shade of blue but you / No other sadness in the world would do”, which is heartbreakingly clever and raw during the circumstances we find ourselves in, which is a generally sad world.

I was thoroughly impressed and surprised by the direction Taylor Swift took with this album. She has unabashedly and confidently rebranded her sound and image, now appearing more introspective, emotionally revealing, and mature than ever. This project is basically my ideal Taylor Swift album, which I very much enjoyed. I hope that her sound continues to evolve, because if she continues to release music on this level of quality, we’re all in for a treat. Thanks for reading.

Favorite tracks: “cardigan”, “the last great american dynasty”, “seven”, “august”, “illicit affairs”, “invisible string”, “epiphany”, “betty”, “hoax”

SCORE: 7/10

Best Foot Forward: A Sneaker Series (Part 12)

Best Foot Forward: A Sneaker Series (Part 12)

In an effort to emphasize the concept of quality over quantity, I’ve started refining the kind of footwear on my wishlist. Instead of purchasing more pairs of lower quality sneakers which I’m not entirely interested in, I’m making sure I won’t regret the purchases I’m making. Recently, I was able to add the highly-coveted and exclusive Air Jordan 1 collaboration with Los Angeles-based streetwear company Union in the “Black Toe” colorway to my collection, which I will be featuring in this post. Let’s jump into it.

If you’ve read the previous installments from this series, you know that the Air Jordan 1 High Retro is my favorite sneaker silhouette of all time. Whether it’s the original colorways which released when Michael Jordan was active in the 1985 season or new collaborative offerings, I’m a sucker for this shoe. In recent years, Jordan Brand has teamed up with the likes of Off-White, Travis Scott, Union, and Dior to create some of the most hyped sneakers in a long time. While incorporating the essential characteristics of this instantly-recognizable silhouette, this Union collaboration also utilizes minor design changes which just makes this pair pop.

This sneaker combines classic colorways elegantly, pairing the original “Natural Grey” upper and tongue with the “Black Toe” heel and toebox. A stitched and exposed tongue gives this pair a rugged and vintage vibe, which is accentuated by a soft yellow midsole, similar to that of the Travis Scott Air Jordan 1. Blue and yellow accents throughout this pair makes them even more noticeable and unique. I would sub in the alternate yellow laces if it weren’t for the amazing default pair which splits halfway down the middle, pairing black and cream together beautifully. This is how collaborations should be done: unique and experimental while maintaining what made the silhouette a classic in the first place.

Taking a different approach to buying sneakers has been very fulfilling and satisfying so far. Prioritizing quality over quantity is a practice which I’m trying to apply to every aspect of my life, not just the sneakers on my feet. But either way, most sneakerheads respect the Air Jordan 1 High X Union for the amazing collaboration that they are. Me included. What do you think of these? Let me know. Thanks for reading.

Let's Talk About... Kanye West

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Some topics are more difficult to discuss than others. Due to the uncharted circumstances we find ourselves in, it’s easy to discourage discourse instead of tackling these divisive subjects in an effort to reach logical and reasonable conclusions. I value having constructive environments and platforms which encourage learning, communication, and understanding, which is why I’m starting this series on my blog. “Let’s Talk About…” will cover a wide variety of topics which, at times, can appear difficult to navigate and comprehend. I’m going to try to articulate my perspectives as clearly as possible, which will hopefully simultaneously further your understanding on the different subjects I’ll be covering. To kick things off, I’m going to be discussing Kanye West, mental health, and the perpetuation and enablement of toxic behavior. Let’s get into it.

I find it necessary to begin by stating that, generally, I’m a pretty big fan of Kanye West. I grew up listening to all of his albums to the point that he became, and still is, my most listened-to artist on Spotify of all-time. At his best, Kanye West is a trend-setting and creative genius who uses his platform to advance progressive ideas and provide a voice for the voiceless. But it has been a while since we’ve seen Kanye’s best. Over the past few years, it’s clear that Kanye’s behavior and perspective have both changed, as his public statements, interviews, and album rollouts have become more manic and unpredictable. This downward trend has reached a boiling point recently, as Kanye declared a presidential bid and seems to have had an emotional breakdown at his recent South Carolina campaign rally. Kanye claims to battle Bipolar Personality Disorder, and recent events would hint that this self-diagnosis may be accurate. While many are looking to make light and jokes out of this situation, I’ve begun to realize that there is nothing funny here. This is the springboard for a necessary discussion about mental health we need to have in this country.

Mental health issues can present themselves in a variety of ways. Happiness and sadness aren’t the only two emotions associated with Bipolar Personality Disorder; things can become manic, unstable, and strange as they have recently with Mr. West. Let’s also not forget that Kanye was involved in a severe car accident years ago which could have caused a traumatic brain injury which could be contributing to these recent episodes. Kanye has claimed he stops taking his prescribed medications when working on a new music project, which he seems to be currently after promoting his supposedly upcoming album DONDA. Instead of those around him stepping in and getting him help, their complicit nature has silently encouraged these behaviors and actions. I’m not nullifying Kanye’s responsibility — he needs to seek help for himself, too — but often times, those struggling with mental health issues have lost perspective on their circumstances and are not in the right mindset to seek the help they need. We need to make healthcare accessible for everyone who needs to address mental health issues, and remove the stigma and shame surrounding seeking help. The company Kanye has situated himself with haven’t helped him recover, and the twenty-four-hour news cycle has continued to perpetuate the headlines which only aggravate the situation.

A former reality TV-star and debatably successful businessman (but not really) became president in 2016, and it seems that many now believe that the most prestigious office and job in the world is up for grabs for anyone to claim. Instead of immediately disregarding Kanye’s announcement of a presidential candidacy, social media and the mainstream news gave this story much more credibility than it deserved from the jump. Kanye’s supposed platform isn’t substantial, it’s built on verifiable misinformation and untruths, such as the recent claim that Harriet Tubman didn’t actually free slaves. These outlandish comments gather press and attention which I used to chalk up as a botched album rollout to increase first-week sale numbers, but now believe are an unknown cry for help from a deeply troubled man dealing with serious mental health issues.

This whole situation is developing, complicated, and sad. Just as soon as Kanye seemed to be on the right track joining Black Lives Matter protests, donating two million dollars to related causes, and claiming to have thrown away all of his Trump apparel, things just get worse again. I sincerely hope that Kanye seeks help, gets treatment, and reinvents his image, returning to the sort of artist he used to be. It’s looking less and less likely that this will happen, though, which disheartens me. What do you think of Kanye West as an artist and public figure? What do you think will happen next with him? Let me know. Thanks for reading.